Some youth, however, spurred by the movement that had jeopardized the Western adult society, they adopted new forms of life outside the set, giving rise to an attitude of "underground" of marked features native. In Seville, for example, established a small outpost of freedom around the group Smash, a pioneer of the "progressive music." Apart from a few memorable records, the Seville group left for posterity a document that arose to make music as something inextricably linked to a worldview and a lifestyle completely alien to the social conventions of the time. This is not a text explicitly anti-prohibitionist, but clearly reflects the desire for freedom of an entire generation ... Men
grasslands (Dylan, Hendrix, Jagger ...)
Mountain Men (Manson, Hitler ...)
gloomy cave men (officials)
magnificent cave men (presidents of boards of directors, large merchants)
- The men of the prairies are the only ones in the roll and have hatched. Their identity cards are their faces.
- The mountain men rolled on the stick of violence and physical progress.
- The gloomy cave men rolled on the stick of dogma and you tend to the yardstick chunga.
- The magnificent cave men rolled on the stick of money and Rone.
- You can not make music in the caves of misfortune, must be open to the prairies.
- human relations of grassland-merchant magnificent caves are always sado-masochism.
- You can only live tortillas.
I. is not to "flamenco-pop" or "blues aflamencado" but corrupted by law.
II. can only be corrupted by a stick of beauty.
III. Imagine Bob Dylan in a room with a bottle of Tio Pepe, Diego el del Gastor, on guitar, and Fernanda and Bernarda de Utrera doing the beat, and say now sing your songs. What would come to Dylan for that little body? Same thing that Manuel [Molina] when he starts to sing bulerías electric sound:
Although they say otherwise,
I know well that this is war, death puñalaítas
I would if they could. Juan Carlos Used
in English trip (The psychedelic adventure in Spain)
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